Cancelled Podcast Support Women’s Rights And Wrongs T-Shirts

 Buy this shirt: Cancelled Podcast Support Women’s Rights And Wrongs T-Shirts

I met Tony recently at the Rialto Grande, a Brooklyn bar that straddles our two neighborhoods, where we drank some Cosmopolitans during happy hour, and where I wanted to ask him how he succeeded where so many, it seems to me, fail; writing in a way that feels authentic and compelling, contemporary, without veering into the kind of internet-reference-laden prose that I find not only inelegant but essentially unreadable, little more than a series of flashcards with buzzwords on them that flash into my brain and then disappear forever. I asked him about this and whether he has to strategize to avoid the risk of references becoming outdated or redundant.

I met Tony recently at the Rialto Grande, a Brooklyn bar that straddles our two neighborhoods, where we drank some Cosmopolitans during happy hour, and where I wanted to ask him how he succeeded where so many, it seems to me, fail; writing in a way that feels authentic and compelling, contemporary, without veering into the kind of internet-reference-laden prose that I find not only inelegant but essentially unreadable, little more than a series of flashcards with buzzwords on them that flash into my brain and then disappear forever. I asked him about this and whether he has to strategize to avoid the risk of references becoming outdated or redundant.

“If you want to write about how things are different now than they were then, you have to talk about how things are structured differently. But underneath that structure, a lot of the content is exactly the same as it was before. The theme of rejection is really timeless. The customs are different. Ignoring someone or not reading someone's news is new, but rejecting someone by ignoring them or not acknowledging them is something that has always happened, right? The only thing that's different is the platform on which it happens.”

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